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Immersive AV Compositions

The project was implemented with the support of Time Based mentorship program.

Supported by the US Embassy in Ukraine

Visual materials: The Polina Raiko Charitable Foundation

The performance “Re:Symphony” is based on an eponymous electroacoustic composition that revolves around the idea of the recycling of musical material. It also integrates themes of ecology and human eco-consciousness, which are central to the original work “Nature Symphony.” Fragments of this piece were processed and reused in the composition “Re:Symphony”.

“How do the walls sound?” it’s a live performance about acoustic study of the Radiogarage. Took place on December 16, 2024 during the opening of the House of Sound in Lviv (Ukraine).

The audio performance took place as part of the Lviv Sculpture Week 2023 during the final tour led by curator Pavlo Gudimov. It belongs to the series of performances called “How does it sound like?..”, aimed at auditory explorations of surrounding objects.

TV & Trailers

Westworld Scoring Competition 2020 by Spitfire Audio. It’s my version of Cinematic Music and Sound Design to the Score Sequence of the action scene from HBO’s Westworld TV Series (Season 3).

Mystical triller “BUS #13”

Classical & Contemporary Scores

Unofficial Medleys

Inspired by Hanz Zimmer and Billie Eilish “No Time To Die” Single.

Visual Artist: Emmanuel Nwogbo II

Star Wars & The Mandalorian Epic Medley

Epic Medley inspired by outstanding “The Mandalorian” main theme (composed by Ludwig Goransson) and music from the “Star Wars” (written by John Williams).

Illustrator: Jackson Caspersz

Star Wars & The Mandalorian Epic Medley